cuadros para una región. el museo desperdigado en una novela de carlos fuentes

Clicks: 287
ID: 216452
2014
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Ranked #14 of 135 articles by views in research journal of pharmacognosy

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Abstract
Este trabajo relee La región más transparente (1958), la clásica novela de Carlos Fuentes, centrándose en determinados objetos, los cuadros que cuelgan de las paredes, y su función en la trama, y vincula el tema con la visión del país que ofrece el autor implícito en la novela. Amanera de comparación, se evocan dos novelas anteriores: Los de abajo (1915), de Mariano Azuela y El luto humano (1943) de José Revueltas.   Abstract   This paper revisits La región más transparente (1958), the classic Carlos Fuentes’ novel. Reading focuses on certain objects, paintings hanged in the walls, and their role in the plot. The topic is linked with the implicit vision of Mexico in Fuentes’ masterpiece. As a comparison, two former Mexican novels are mentioned: Los de abajo (1915), by Mariano Azuela and El luto humano (1943) by José Revueltas.
Reference Key
negrn2014iberoamericana.cuadros Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Edith Negrín
Journal research journal of pharmacognosy
Year 2014
DOI
10.18441/ibam.11.2011.43.129-139
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