músicos de pop-rock: avaliação da satisfação com protetores auditivos pop-rock musicians: assessment of their satisfaction provided by hearing protectors

Clicks: 291
ID: 213176
2010
Free PDF
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Steady

Ranked #33 of 89 articles by views in cardiovascular diabetology

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Sign in to mint
Abstract
Músicos de pop-rock apresentam risco de perda auditiva e outros efeitos associados à exposição à música amplificada. OBJETIVO: Avaliar o uso de protetores auditivos em músicos de bandas de pop-rock. Forma de Estudo: Coorte contemporânea. MATERIAL E MÉTODO: Estudo com 23 músicos de pop-rock, do sexo masculino, com idades entre 25 e 45 anos. Após a realização de audiometria tonal, imitância acústica, EOAET e EOAPD, os músicos receberam um protetor auditivo utilizado por três meses e, após esse período, preencheram a um questionário sobre a satisfação em relação ao uso. RESULTADOS: A prevalência de perdas auditivas foi de 21,7%. As principais queixas durante o uso de protetor foram: voz abafada, pressão no ouvido, interferência na percepção dos sons de frequências altas, ao uso do protetor em tempo integral nas apresentações. Houve correlação positiva entre a percepção da diminuição do zumbido após o uso do protetor auditivo com as seguintes queixas: presença de zumbido após iniciar a profissão (p= 0,044), incômodo com a intensidade sonora em seu local de trabalho (p= 0,009) e intolerância a som forte (p= 0,029). CONCLUSÕES: Houve uma elevada prevalência de perdas auditivas e uma tendência favorável à aceitação do protetor auditivo na população estudada.
Pop-rock musicians are at risk of developing hearing loss and other symptoms related to amplified music. AIM: The aim of the present study was to assess the satisfaction provided by the use of hearing protection in pop-rock musicians. Study design: Contemporary cohort study. MATERIALS AND METHODS: A study of 23 male pop-rock musicians, aged between 25 to 45 years. After audiological evaluation (pure tone audiometry, middle ear analysis, TEOAE and DPOAE) hearing protective devices were provided to be used for three months. After that musicians answered a satisfaction assessment questionnaire. RESULTS: The prevalence of hearing loss was of 21.7%. The most common complaints about the hearing protectors were: autophonia, pressure in the ears, interference in high frequencies perception and full time use of the hearing protector during concerts. There was a positive correlation between a reduction in tinnitus after the use of the HPD with the following complaints: tinnitus after beginning the career (p= 0.044), discomfort with the sound intensity in the work place (p= 0.009) and intolerance to loud sound (p= 0.029). CONCLUSIONS: There was a high prevalence of hearing loss and a positive tendency towards the use of the ear protector device among the sample population.
Reference Key
santoni2010brazilianmsicos Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Cristiane Bolzachini Santoni;Ana Claudia Fiorini
Journal cardiovascular diabetology
Year 2010
DOI
10.1590/S1808-86942010000400009
URL
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1808-86942010000400009
Keywords
hearing music ear protective devices dispositivos de proteção das orelhas

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

Comments

No comments yet. Be the first to comment on this article.