the techniques of aestheticization of screen violence
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ID: 211626
2016
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Abstract
The relevance of the topic is defined to variety of spectacular images of violence on the screen, and insufficient knowledge of the problems in the Ukrainian scientific discourse. Touching the information space, individuals are inevitably faced with a variety of images of violence. In the process of reception of screen images of cruelty to the fore entertainment and attraction of external form. As a rule, the desire for violence negates aesthetization images in the minds of the moral imperatives of the viewer and removes the visual taboo. The violence is so widespread in modern screens, acquires special importance, providing a strong emotional impact on the viewer. The author carried out serious work on the study of various theoretical approaches to the study of on-screen violence. In the article the basic definitions and distinguishing features are marked on-screen violence. On the basis of the qualitative content analysis of audiovisual documents and focused interviews highlighted four ways aestheticization of violence: romantization, carnivalization, absurdization and uglytizatio. They are clearly seen in the structure of genre cinema and practically applicable in the author’s cinema due to the uniqueness of narrative line and the realization of personal intentions of the director, who find themselves outside the genre cliches.
| Reference Key |
plyusnin2016granthe
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|---|---|
| Authors | ;Eugene V. Plyusnin |
| Journal | ifmbe proceedings |
| Year | 2016 |
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