tre protagonisti dell’architettura neoclassica a trieste: matteo pertsch, antonio mollari, pietro nobile / three protagonists of the neoclassical architecture in trieste: matteo pertsch, antonio mollari, pietro nobile

Clicks: 144
ID: 210988
2014
Free PDF
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Steady

Ranked #43 of 50 articles by views in journal of immunology research

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Sign in to mint
Abstract
Dopo un breve excursus sui caratteri dell’ urbanistica neoclassica di Trieste, ci si concentra sull’apporto di alcuni dei protagonisti della progettazione architettonica, tra fine Settecento e prima metà dell’Ottocento, e sui principali edifici pubblici e privati edificati (Borsa, Teatro, chiese, ospedale, palazzi e palazzetti) che hanno dato risalto all’omogeneità visiva dell’imprinting neoclassico: espressione di una classe emergente che associa l’utilità al decoro, ma non indulge all’ostentazione e agli sprechi, la nuova borghesia dei commerci marittimi. Quella stessa alta borghesia cresce per dimensioni e attività finanziarie e poi innesta lo sviluppo storicistico ed eclettico della Trieste borghese del secondo Ottocento, non trascurando però l’aspetto neoclassico che coinvolge in nuove dimensioni. After a brief excursus on the characters of the Neoclassical town planning in Trieste, the author analyzes the contribution of the main architects who were there active between the second half of the 18th century and the first half of the 19th century. The attention is paid to the main public and private buildings (the Stock Exchange, the Theatre, the churches, the Hospital, the palaces and the houses). All of them gave a sort of visual homogeneity of the Neoclassical imprinting; they are expression of an emergent class that lies utility to decorum, but does not cease to the ostentation and wastes: the new bourgeois class of commerce. In the second half of the 19th century, this same bourgeois class enlarges its financial activities and gives beginning to the Eclecticism and Historismus, without forgetting the Neoclassical aspects in a new large dimension.
Reference Key
zanni2014iltre Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Nicoletta Zanni
Journal journal of immunology research
Year 2014
DOI
10.13138/2039-2362/848
URL
http://riviste.unimc.it/index.php/cap-cult/article/view/848
Keywords
arts in generalauxiliary sciences of history

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

Comments

No comments yet. Be the first to comment on this article.