o sujeito-ator, sua voz e a relação com a figura materna

Clicks: 257
ID: 208682
2016
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Emerging

Ranked #10 of 16 articles by views in the journal of the canadian chiropractic association

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
O artigo trata dos modos de subjetivação pelos quais atores tornam-se sujeitos de sua prática musical, mais especificamente vocal, com inspiração na perspectiva arqueológica foucaultiana. Os materiais empíricos consistem em narrativas e entrevistas de profissionais das artes cênicas, que executam vocal e instrumentalmente trilhas sonoras de seus espetáculos ao vivo. Neste texto, em particular, analisamos a presença preponderante da voz da figura materna, na memória de atores-músicos.
Reference Key
rasslan2016revistao Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Simone Nogueira Rasslan;Rosa Maria Bueno Fischer
Journal the journal of the canadian chiropractic association
Year 2016
DOI
DOI not found
URL
Keywords

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.