inside out, outside in: changing perspectives in australian art historiography
Clicks: 158
ID: 202277
2011
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Popular Article
30.0
/100
158 views
32 readers
AI Quality Assessment
Not analyzed
Readership in this journal
PopularRanked #27 of 42 articles by views in electrochimica acta
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
Beginning from some recollections of art historical training in Australia and the United States in the 1960s and 1970s, the author highlights the key role played by art historiographical awareness within revisionist approaches to art history since those decades. He focuses on the resonance of such awareness in writing histories of Australian art, including Indigenous art. Theories of provincialism that mediated the relationships between the local and the international in Australian art are shown to be present, on a global scale, in the currents of contemporary art in the world today.
| Reference Key |
smith2011journalinside
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Terry Smith |
| Journal | electrochimica acta |
| Year | 2011 |
| DOI |
DOI not found
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.