around refuse the hour, kentridge and his space-time of creation

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ID: 199956
2013
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Abstract
This article deals with a creative process born in the intersection of stage, cinema and visual arts: the one of William Kentridge. In the polymorphic work of the South African artist, his movement between different forms of expression holds a key-role in his way of working. Taken between an installation and an exhibition, the progress around his show Refuse The Hour (2012) gives a relevant ground for the analysis of the stakes in a process of creation in movement between various artistic fields. From the studio to rehearsals, and through a rhythm of collective work, this text investigates the genetics of the show crossed by different space-times of creation.
Reference Key
borgne2013revistaaround Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Fanny Le Borgne
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Journal the journal of the canadian chiropractic association
Year 2013
DOI
DOI not found
URL
http://seer.ufrgs.br/presenca/article/view/37504/26131
Keywords
interdisciplinarity process the theater

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