a revisão notacional da sequenza i para flauta solo de berio e suas implicações interpretativas

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ID: 199807
2007
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Abstract
Luciano Berio wrote, between 1958 and 1996, thirteen pieces for different solo instruments, each one of them entitled Sequenza, in which one of the purposes was to create, particularly in the monodic instruments, a polyphonic mode of listening by the suggestion of implicit counterpoint. The purpose of this paper is to examine the differences between the 1958 original edition and the 1992 edition of Sequenza I, for solo flute, especially with respect to rhythmic aspects, tempo, and proportionality, and their implication on performance.
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cavalcanti2007opusa Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Maria Di Cavalcanti, Liduino Pitombeira
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Journal huan jing ke xue= huanjing kexue
Year 2007
DOI
DOI not found
URL
http://www.anppom.com.br/revista/index.php/opus/article/view/306
Keywords
music and books on musicmusic notação proporcional

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