lolita de vladimir nabokov: historia de una obsesión (fílmica)
Clicks: 319
ID: 196795
2010
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Star Article
30.0
/100
319 views
45 readers
AI Quality Assessment
Not analyzed
Readership in this journal
StarRanked #3 of 13 articles by views in biosystems engineering
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
El presente artículo trata de demostrar la simbiosis existente entre la novela Lolita y el arte cinematográfico. No sólo por las dos adaptaciones de las que ha sido objeto la novela de Vladimir Nabokov, sino también por las propias características estilísticas y narrativas de la novela, plagada de referencias y recursos puramente cinematográficos. Recurso clave durante toda la novela, la técnicacinematográfica se convierte en el mejor aliado del narrador no fiable –Humbert Humbert– en su lucha por dominar a Lolita y manipular al lector. Para finalizar, se intenta demostrar una afinidad perpetua entre el personaje tipo de Lolita y el cine, especialmente el deHollywood.
| Reference Key |
migulez2010labelolita
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Katixa Agirre Miguélez |
| Journal | biosystems engineering |
| Year | 2010 |
| DOI |
DOI not found
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.