veni sancte spiritus: um moteto de josé maurício nunes garcia veni sancte spiritus: a motet by josé mauricio nunes garcia
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ID: 190122
2011
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Abstract
A produção musical no gênero sacro teve importantes representantes no período do Brasil Colônia e Imperial, entre os quais se destaca o Padre José Maurício Nunes Garcia, responsável pela música da Sé Imperial do Rio de Janeiro antes e após a chegada da família real em 1808. Sua vasta produção resistiu ao tempo através de manuscritos autógrafos ou não, os quais têm sido alvo de intensos estudos, com destaque para as pesquisas pioneiras de Cleofe Person de Mattos. Mesmo assim, atualmente, apenas parte de sua obra encontrase restaurada do ponto de vista musicológico com vistas à perfomance. Desta forma, este estudo visa comentar a transcrição musicológica de um moteto de exemplar fatura, intitulado Veni Sancte Spiritus, para pequena orquestra de cordas, duas flautas e coro a quatro vozes.
Sacred musical production had important representatives in the period of colonial and imperial Brazil, among which stands out Father José Maurício Nunes Garcia, in charge of music at the Royal Chapel in Rio de Janeiro before and after the arrival of the royal family in 1808. His vast output resisted time through autograph manuscripts or copies, which have been the target of intense study, especially the pioneering research of Cleofe Person de Mattos. Yet, currently, only part of his work is restored from the musicological point of view in what regards performance. Thus, this study aims to comment on the musicological transcription of a motet entitled Veni Sancte Spiritus, for small orchestra of strings, two flutes and a fourvoice choir.
Sacred musical production had important representatives in the period of colonial and imperial Brazil, among which stands out Father José Maurício Nunes Garcia, in charge of music at the Royal Chapel in Rio de Janeiro before and after the arrival of the royal family in 1808. His vast output resisted time through autograph manuscripts or copies, which have been the target of intense study, especially the pioneering research of Cleofe Person de Mattos. Yet, currently, only part of his work is restored from the musicological point of view in what regards performance. Thus, this study aims to comment on the musicological transcription of a motet entitled Veni Sancte Spiritus, for small orchestra of strings, two flutes and a fourvoice choir.
| Reference Key |
virmond2011perveni
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|---|---|
| Authors | ;Marcos da Cunha Lopes Virmond;Lenita Waldige Mendes Nogueira |
| Journal | Cureus |
| Year | 2011 |
| DOI |
10.1590/S1517-75992011000200017
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| URL | |
| Keywords | Keywords not found |
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