a atualização do cinema sagrado em el topo de alejandro jodorowsky
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ID: 186001
2017
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Abstract
Este artigo faz uma antropologia do cinema tendo como objeto o filme El Topo do diretor chileno Alejandro Jodorowsky e a noção de sagrado. Para operacionalizar o conceito de cinema sagrado, utilizamos o conceito de configuração artística tal qual proposto pelo filósofo Alain Badiou. Detectamos duas mortes do herói na película e levantamos a questão do cinema sagrado envolvendo montagem e angústia. Debatemos a questão, opondo cinema sagrado e cinema profano e concluímos com a atualização do cinema sagrado numa configuração.
ABSTRACT
This article operates an anthropology of cinema having as its object the movie El Topo from the Chilean director Alejandro Jodorowsky and the notion of the sacred. To operationalize the concept of sacred cinema we use the concept of artistic configuration as proposed by philosopher Alain Badiou. We detect two deaths of the hero in the movie and we raise the question of sacred cinema envolving montage and anxiety. We debate the question, opposing sacred cinema to profane cinema, and we conclude with the actualization of sacred cinema in a configuration.
Keywords: Jodorowsky; sacred; El Topo; anthropology; Badiou
| Reference Key |
skare2017ouvirouvera
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|---|---|
| Authors | ;Nils Goran Skare |
| Journal | Environmental science and pollution research international |
| Year | 2017 |
| DOI |
10.14393/OUV21-v13n2a2017-15
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| URL | |
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