a atualidade da imagem e a imagem da atualidade
Clicks: 220
ID: 185625
2006
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Popular Article
30.0
/100
220 views
28 readers
AI Quality Assessment
Not analyzed
Readership in this journal
PopularRanked #13 of 19 articles by views in Journal of gastroenterology and hepatology
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
In this article, we show that if Louis Lumière, heir of the impressionists, considered the cinematograph as a privileged instrument of the movements of nature and men, that very cinematograph, by its quality of presence and capacity of authentic images projection of registered life instants, quickly attracted the attention of public personalities, who saw in the cinematograph not only an instrument to propagate their image, but also an exceptional means to defend and illustrate their points of view.
| Reference Key |
gervaiseau2006doca
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Henri Arraes Gervaiseau |
| Journal | Journal of gastroenterology and hepatology |
| Year | 2006 |
| DOI |
DOI not found
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.