o conflito do contestado como espaÇo de representaÇÃo do sagrado: dos monges ao Ícone sÃo joÃo maria

Clicks: 85
ID: 181208
2013
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Steady

Ranked #79 of 94 articles by views in biomaterials

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
O conflito conhecido como Guerra do Contestado envolveu interesses econômicos,políticos e religiosos. Esse artigo trata da articulação religiosa na Guerra do Contestado, expressa pelos espaços de representação do sagrado e pela formação do ícone São João Maria – todos os monges eram um só: dois João e um José todos Maria, assim define o folclorista do contestado.
Reference Key
feldhaus2013revistao Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Fabiano FELDHAUS
Journal biomaterials
Year 2013
DOI
10.5380/raega.v27i0.30423
URL
Keywords

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.