o sertão dilacerado: outras histórias de deus e o diabo na terra do sol the brazilian hinterland in glauber rocha's cinema
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ID: 178657
2008
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Abstract
A busca deste texto será a de compreender como uma das mais importantes narrativas do cinema nacional - Deus e o Diabo na terra do sol, de Glauber Rocha (1963) - construiu o sertão, quais as imagens e as figuras utilizadas, ecomo esse sertão delineia e projeta o Brasil.
This article tries to understand how one of the most important narratives of the national cinema - Glauber Rocha's Black God, white devil (1963) - has constructed the sertão (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country.
This article tries to understand how one of the most important narratives of the national cinema - Glauber Rocha's Black God, white devil (1963) - has constructed the sertão (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country.
| Reference Key |
pereira2008luao
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| Authors | ;Pedro Paulo Gomes Pereira |
| Journal | materials research innovations |
| Year | 2008 |
| DOI |
10.1590/S0102-64452008000200002
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| URL | |
| Keywords | Keywords not found |
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