o sertão dilacerado: outras histórias de deus e o diabo na terra do sol the brazilian hinterland in glauber rocha's cinema
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Abstract
This article tries to understand how one of the most important narratives of the national cinema - Glauber Rocha's Black God, white devil (1963) - has constructed the sertão (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country.
| Reference Key |
pereira2008luao
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|---|---|
| Authors | ;Pedro Paulo Gomes Pereira |
| Journal | materials research innovations |
| Year | 2008 |
| DOI |
10.1590/S0102-64452008000200002
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| URL | |
| Keywords | Keywords not found |
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