the iconic significance of the psalms as a literary genre for speaking about god: a phenomenological perspective

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ID: 178404
2011
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Abstract
To explore the impossible impossibility of speaking about God and to address, on the one hand, the unacceptable modernistic rational robe of totalisation and the return of the subject in postmodern contexts, on the other, this article pursued the phenomenological approach of Jean-Luc Marion’s hermeneutic of the icon. His approach is connected in a creative manner to the literary ‘eyes’ of the Psalter, focusing on the distinction of idol–icon by Marion in his understanding of the gaze of the worshipper and the subsequent conceptualisation of the infinite God in finite human terms. It was finally argued that the literary genre of the Psalter, viewed from a hermeneutic of the icon, presents not only an exciting perspective on the threshold of the ‘[im-]possible’ for speaking about God, but also on the return of the subject in the broadened horizon of the ‘unsayable’ and ‘unrepresentable’.
Reference Key
veldsman2011htsthe Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Daniël P. Veldsman
Journal JAMA pediatrics
Year 2011
DOI
10.4102/hts.v67i3.960
URL
Keywords Keywords not found

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