rupture on the brazilian documentary photography: claudia andujar and the poetry of the (in)visible

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ID: 177926
2014
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Abstract
This article aims to analyse Claudia Andujar’s photographies from her books Yanomami and The vulnerability of being not only to reflect about their conceptual characteristics that mix social engagement and personal expression, but also to identify the photographer’s technical and aesthetic choices to document the invisible phenomenons of the Yanomami’s culture. Using innovatives strategies of representation, Andujar reached inedited results from the political and aesthetic points of view, which marked a break with the Brazilian documentary photography history.
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moraes2014discursosrupture Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Rafael Castanheira Pedroso de Moraes
Journal annals of the new york academy of sciences
Year 2014
DOI
10.5433/1984-7939.2014v10n16p53
URL
http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/17382
Keywords
mass media photographycommunication

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