the photographic edition as a visual narrative construction
a edição fotográfica como construção de uma narrativa visual

Clicks: 122
ID: 173355
2007
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Ranked #36 of 41 articles by views in annals of the new york academy of sciences

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Abstract
This article, based on the concept of intellectual montage, developed by russian movie director Sergei Eisenstein, works in the premises that the photographic edition may be responsible for the construction of a visual narrative. Thus, it adopts a photographic essay composed of 26 pictures and sends it to three specialists for edition. The results are three different narratives. With this, it becomes evident that the photographic message may undergo a creative rearrange and compose distinctive enunciation discourses. At the end, the work shows that the differences between the discourses elaborated by the editors are captured by the receiver of the photographic message.

Este artigo, baseado no conceito de montagem intelectual, desenvolvido pelo cineasta russo Sergei Eisenstein, trabalha com a premissa de que a edição fotográfica pode ser responsável pela construção de uma narrativa visual. Para tanto, adota um ensaio fotográfico composto por 26 fotografias e o passa para três especialistas editá-lo. O resultado são três narrativas diferentes. Com isso, torna-se evidente que a mensagem fotográfica pode passar por uma re-elaboração criativa e formar discursos enunciativos distintos. Ao final, o trabalho mostra que as diferenças entre os discursos elaborados pelos editores são apreendidos pelo receptor da mensagem fotográfica.

Reference Key
catanho2007discursosthe Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Fernanda Jansen Mira Catanho
Journal annals of the new york academy of sciences
Year 2007
DOI
DOI not found
URL
http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1494
Keywords
mass media sergei eisensteinphotographycommunication

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