parody as ontologic and gnoseologic problem of russian (s.-petersburg) avant-garde in 1920s

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ID: 166916
2012
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Abstract
The article explains why the thinkers of Russian avant-garde suggested and developed a theory of parody in 1920s. The cultural and politic context of the avant-garde’s theory of parody is analyzed.
Reference Key
2012parody Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Сергій Троіцький
Journal ribogospodarsʹka nauka ukraïni
Year 2012
DOI
10.18524/2410-2601.2012.1(17).145953
URL
http://doksa.onu.edu.ua/article/view/145953
Keywords
the humanitiesphilosophy (general)

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