The Disappearance of Canada: Margaret Atwood’s Transnational Turn and Ustopianism

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ID: 16329
2013
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Abstract
This essay examines how Margaret Atwood’s recent dystopias Oryx and Crake and The Year of the Flood reflect a transnational turn in her fiction, which is a significant development both in light of her early work and her public image as a Canadian cultural nationalist. --- Original in English
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Authors Braz, Albert;
Journal gragoatá
Year 2013
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