The Disappearance of Canada: Margaret Atwood’s Transnational Turn and Ustopianism

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2013
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Abstract
This essay examines how Margaret Atwood’s recent dystopias Oryx and Crake and The Year of the Flood reflect a transnational turn in her fiction, which is a significant development both in light of her early work and her public image as a Canadian cultural nationalist. --- Original in English
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braz2013thegragoata Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Albert Braz
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Journal gragoatá
Year 2013
DOI
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http://www.gragoata.uff.br/index.php/gragoata/article/view/38
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