o violino violado: o entremear das vozes esquecidas das rabecas e de "outros violinos" the fiddled violin: the clamor of forgotten voices from the brazilian rabecas and "other violins"
Clicks: 157
ID: 159835
2009
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Star Article
30.0
/100
157 views
21 readers
AI Quality Assessment
Not analyzed
Readership in this journal
StarRanked #61 of 105 articles by views in Cureus
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
A representação do violino como instrumento musical hegemônico é um fato incontestável se considerarmos sua presença nos mais diversos âmbitos das práticas da música ocidental. As últimas décadas presenciaram, porém, a emergência de algumas vozes dissonantes: as práticas interpretativas historicamente informadas (Historically Informed Performance ou HIP) redescobriram o violino barroco e todo o seu aparato técnico; no Brasil, a rabeca mostrou suas potencialidades, não mais somente nas mãos de ardorosos defensores da cultura popular, mas de músicos em busca de novas sonoridades. Tomando como exemplo a intersecção do popular e erudito contido nas peças para rabeca escritas por José Eduardo Gramani, pretende-se aqui, sobretudo, mais do que apresentar respostas definitivas, abrir novas questões relacionadas ao ensino do violino no mundo contemporâneo, a partir da inserção de instrumentos esquecidos pela história oficial. Neste sentido, reflete alguns dos aspectos defendidos por Walter Benjamin em Sobre o conceito de história, e traz para a pauta das discussões sobre interpretação musical a questão da padronização imposta pela indústria cultural.
The representation of the violin as a hegemonic musical instrument is an undisputed fact, regarding its presence within the widest scope of Western musical performance. The last decades have witnessed, however, the emergency of some dissonant voices: the Historically Informed Performance (HIP) practice has rediscovered the baroque violin and all its technical apparatus; the Brazilian fiddle rabeca claimed to be heard through its own voice, despite the neglectful approach from the mainstream scholars and musicians. Departing from the intersection between popular and erudite culture that characterizes most of Brazilian José Eduardo Gramani’s music written for rabeca, this article raises reflections about violin teaching in a multi-cultural society, according to the concepts of Walter Benjamin’s Über den Begriff der Geshichte. It discusses the standardization of performance practice imposed by the cultural industry.
The representation of the violin as a hegemonic musical instrument is an undisputed fact, regarding its presence within the widest scope of Western musical performance. The last decades have witnessed, however, the emergency of some dissonant voices: the Historically Informed Performance (HIP) practice has rediscovered the baroque violin and all its technical apparatus; the Brazilian fiddle rabeca claimed to be heard through its own voice, despite the neglectful approach from the mainstream scholars and musicians. Departing from the intersection between popular and erudite culture that characterizes most of Brazilian José Eduardo Gramani’s music written for rabeca, this article raises reflections about violin teaching in a multi-cultural society, according to the concepts of Walter Benjamin’s Über den Begriff der Geshichte. It discusses the standardization of performance practice imposed by the cultural industry.
| Reference Key |
fiaminghi2009pero
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Luiz Henrique Fiaminghi |
| Journal | Cureus |
| Year | 2009 |
| DOI |
10.1590/S1517-75992009000200003
|
| URL | |
| Keywords |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.