stanley cavell, classical hollywood and the constitution of the ordinary (with notes on billy wilder)

Clicks: 275
ID: 149362
2016
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Abstract
When in his Tanner lectures Stanley Cavell sets out to define Ordinary Language Philosophy or – rather – to explain how it demarcates philosophy as such, he takes up psychoanalytic literary criticism in order to articulate the terms of this task. Yet the constitution of the ordinary, in Cavell, is never quite accessed from within psychoanalysis-cum-literature alone; instead, it takes another relation, that of psychoanalysis and literature to classical Hollywood, for Cavell to address the ordinary in terms of its constitution. I propose to discuss this complex using two films by Billy Wilder as a passageway to Cavell’s analytic procedure.
Reference Key
juki2016am:stanley Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Tatjana Jukić
Journal archives of biological sciences
Year 2016
DOI
10.25038/am.v0i9.119
URL
http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/119
Keywords
billy wilderarts in general

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