at the mercy of gaia: deep ecologial unrest and america's fall as nature's nation in kingdom of the spiders
Clicks: 209
ID: 142233
2015
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This
article has not been analysed, so there is no overall score —
reader engagement is measured and shown alongside.
Reader Engagement
Emerging Content
30.0
/100
209 views
37 readers
AI Quality Assessment
Not analyzed
Readership in this journal
EmergingRanked #9 of 10 articles by views in naše gospodarstvo
Most read
Least read
Bar heights use a square-root scale.
Mint this article as an NFT
Not yet mintedCreate a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.
5
SUSD
one-off · no wallet required
Abstract
This paper looks as the animal horror genre as a way to discuss current notions of ecology in relation to a specific American idea of being "Nature's Nation". The central work for the discussion is the movie Kingdom of the Spiders (1977) by John Cardos, which depicts how a small Arizona town is taken over by a "swarm" of tarantulas. Without any obvious explanation the spiders slowly but steadily invade the town and start killing both other animals and humans until they have completely covered the town in their web. The paper connects the movie to a long tradition of fiction describing how nature turns on humans and reverses the power relation be-tween man and nature that is fundamental to modernity. Moreover, the paper connects the movie to Maurice Maeterlincks ideas of swarm communities as mani-fested by ants and termites to argue that these communities are ecologically superior to the the communities of man-made civilisation. Finally, the paper discusses Kingdom of the Spiders and animal horror in general in relation to recent ideas of non-human ecologies and critiques of anthropocentrism and makes the point that these works of fiction serve as both dramatic and philosophical visions of a world without humans.
| Reference Key |
lillemose2015cultureat
Use this key to autocite in the manuscript while using
SciMatic Manuscript Manager or Thesis Manager
|
|---|---|
| Authors | ;Jacob Lillemose;Karsten Wind Meyhoff |
| Journal | naše gospodarstvo |
| Year | 2015 |
| DOI |
10.3384/cu.2000.1525.1572386
|
| URL | |
| Keywords | Keywords not found |
Citations
No citations found. To add a citation, contact the admin at info@scimatic.org
Comments
No comments yet. Be the first to comment on this article.