la mancha indeleble de aniceto hevia: determinismo y superación en la tetralogía narrativa de manuel rojas
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Abstract
El presente artículo propone un estudio de las catálisis o detalles de la narración en la tetralogía narrativa de Manuel Rojas, es decir, Hijo de ladrón (1951), Mejor que el vino (1958), Sombras contra el muro (1964) y La oscura vida radiante (1971). El narrador rojiano se vale de los pormenores del relato para desestabilizar las miradas deterministas que vinculan a su protagonista, Aniceto Hevia, con la criminalidad. De este modo, las catálisis constituyen estrategias discursivas que permiten a la narrativa de Rojas desembarazarse de la herencia positivista.
| Reference Key |
retamal2015literatura:la
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|---|---|
| Authors | ;Pablo Fuentes Retamal |
| Journal | journal of cultural heritage management and sustainable development |
| Year | 2015 |
| DOI |
10.15446/lthc.v17n1.48693
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| URL | |
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