a literatura e a diluição do autor

Clicks: 164
ID: 139470
2010
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Abstract
<span class="txtarial8ptgray1"><span style="font-size: 8pt; mso-fareast-font-family: Calibri; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: PT-BR; mso-fareast-language: AR-SA; mso-bidi-language: AR-SA;"><span style="color: #666666;"><p class="MsoNormal" style="margin: 0cm 0cm 10pt;"><span class="txtarial8ptgray1"><span style="line-height: 115%; font-size: 8pt; font-family: &quot;Verdana&quot;,&quot;sans-serif&quot;; color: #666666;">Com </span></span><em><span style="line-height: 115%; font-size: 8pt; font-family: &quot;Verdana&quot;,&quot;sans-serif&quot;; color: #666666;">Dom Quixote</span></em><span class="txtarial8ptgray1"><span style="line-height: 115%; font-size: 8pt; font-family: &quot;Verdana&quot;,&quot;sans-serif&quot;; color: #666666;">, segundo Adorno, tem-se a inaugura&ccedil;&atilde;o do Romance moderno e, por conseq&uuml;&ecirc;ncia, a constitui&ccedil;&atilde;o do autor moderno, um autor n&atilde;o absoluto, desinformado do destino de seus personagens, uma vez que agora o relato romanesco &lsquo;precisa&rsquo; de recursos (por vezes, metaling&uuml;&iacute;sticos) que passem a evidenciar aspectos de verossimilhan&ccedil;a (realismo) para se fazer cr&iacute;vel ao leitor. E ele o faz, gerando a id&eacute;ia de n&iacute;veis de realidade. Procedendo assim, Miguel de Cervantes gera um autor desprovido da autoridade (divina), que era pr&oacute;pria dos tempos dos Rapsodos gregos. Busca-se nesse trabalho v</span></span><span style="color: black;"><span style="font-size: small; font-family: Calibri;">isualizar, pois a regi&atilde;o em que se d&aacute; a morte ou a dilui&ccedil;&atilde;o do autor na literatura, este n&atilde;o propriamente gerado pela Metaf&iacute;sica, mas certamente, alimentado por ela, e que &eacute; tema de Derrida a Borges. Quando em <em style="mso-bidi-font-style: normal;"><span style="font-family: &quot;&quot;serif&quot;&quot;,&quot;serif&quot;; mso-bidi-font-family: 'Times New Roman'; mso-bidi-font-style: normal; mso-bidi-theme-font: minor-bidi;">A escrita de Deus</span></em> Borges lan&ccedil;a m&atilde;o da id&eacute;ia de uma alucinada linguagem em que a <em><span style="font-family: &quot;&quot;serif&quot;&quot;,&quot;serif&quot;; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;">simultaneidade</span></em> seria a forma de acontecer de Deus, de sua express&atilde;o e exist&ecirc;ncia, ele nos ajuda a pensar a quest&atilde;o da dilui&ccedil;&atilde;o das fronteiras em que a fic&ccedil;&atilde;o a&iacute; se coloca inevitavelmente nos novos tempos do Romance. Na express&atilde;o de exist&ecirc;ncia de tal linguagem, n&atilde;o haveria tempo no sentido de sucess&atilde;o de acontecimentos.</span></span></p></span></span></span>
Reference Key
sousa2010revistaa Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Daniel Marcolino Claudino Sousa
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Journal international journal of heritage studies
Year 2010
DOI
DOI not found
URL
http://periodicos.uem.br/ojs/index.php/EspacoAcademico/article/view/8705
Keywords
social sciences (general)

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