lindembergue cardoso: aspectos de uma obra plural lindembergue cardoso: aspects of a pluralistic musical work
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ID: 137382
2012
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Abstract
Escrito imediatamente após a catalogação da obra completa do compositor baiano Lindembergue Cardoso (1939-1989), este artigo objetiva divulgar a dimensão e a constituição do seu acervo de documentos musicais, assim como abordar alguns aspectos característicos de sua obra, sob os pontos de vista funcional, ideológico e estético. O acervo catalogado consta de 189 documentos completos, além de 43 iniciados e aparentemente abandonados ou incompletos (aqueles em que notamos a falta de página(s), sem apresentarem vestígios de não terem sido concluídos). Considerando que a carreira do compositor se desenvolveu em 25 anos (1965-1989), deve-se admitir que o volume do seu legado é expressivo. São 110 obras indexadas por número de opus e outras peças sem indexação, dentre as quais se encontram arranjos, música incidental, umas poucas transcrições e orquestrações. Quanto aos aspectos característicos da obra, são determinantes: intimidade com a música folclórica e popular brasileira; religiosidade; criatividade tímbrica; estética eclética, resultante da interação entre tradição e inovação; atitude heterodoxa no uso de sistemas musicais tradicionais; valorização da expressão cênica na concepção musical; abertura à interação criativa do(s) intérprete(s); e direcionamento aos conjuntos de estudantes e amadores.
In the present article, written just after completing Brazilian composer Lindembergue Cardoso's catalogue of musical works, the author intends to present the composer's archive of musical documents, as well as to discuss characteristic aspects of his musical work. The archive consists of 189 complete and 43 unfinished or incomplete documents. Considering that the composer's career developed over 25 years (1965-1989), we must admit that the volume of his legacy is expressive. There are 110 works with opus numbers and other pieces without opus number, among which we find arrangements, incidental music, a few transcriptions and orchestrations. Regarding characteristic aspects of his work, the most significant ones are: intimacy with Brazilian folk and popular music; religiosity; timbral creativity; eclectic aesthetics, resulting from the interaction between tradition and innovative procedures; a heterodox attitude in the use of traditional musical systems; valorization of scenic expression in musical conception; openness towards the interpreter's creativity; commitment to student and amateur ensembles.
In the present article, written just after completing Brazilian composer Lindembergue Cardoso's catalogue of musical works, the author intends to present the composer's archive of musical documents, as well as to discuss characteristic aspects of his musical work. The archive consists of 189 complete and 43 unfinished or incomplete documents. Considering that the composer's career developed over 25 years (1965-1989), we must admit that the volume of his legacy is expressive. There are 110 works with opus numbers and other pieces without opus number, among which we find arrangements, incidental music, a few transcriptions and orchestrations. Regarding characteristic aspects of his work, the most significant ones are: intimacy with Brazilian folk and popular music; religiosity; timbral creativity; eclectic aesthetics, resulting from the interaction between tradition and innovative procedures; a heterodox attitude in the use of traditional musical systems; valorization of scenic expression in musical conception; openness towards the interpreter's creativity; commitment to student and amateur ensembles.
| Reference Key |
nogueira2012perlindembergue
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|---|---|
| Authors | ;Ilza Nogueira |
| Journal | Cureus |
| Year | 2012 |
| DOI |
10.1590/S1517-75992012000100002
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| URL | |
| Keywords |
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