memória: uma chave afetiva para o sentido na performance musical numa perspectiva fenomenológica memory: an affective key to the meaning of musical performance in a phenomenological perspective
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2010
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Abstract
Relato de experiência sobre a rotina de prática e atuação do quarteto de trombones Trombominas, no qual se propõe uma interlocução entre três eixos: performance musical, fenomenologia e a memória musical, enquanto função cognitiva. São descritos procedimentos sob o referencial fenomenológico, a partir das impressões subjetivas dos participantes do grupo, coletadas através de entrevistas. Busca-se explicar como a memória pode agir como uma chave na construção do sentido para os sujeitos da performance.
Descriptive study about the routines of practice and performance by the Brazilian trombone quartet called Trombominas, according to three axes: musical performance, phenomenology and musical memory as a cognitive function. The group's procedures are described within the perspective of the phenomenological referential, departing from interviews with the members of the group and their subjective impressions. It aims at explaining how memory can act as a key in the construction of musical meaning for the subjects of the performances.
Descriptive study about the routines of practice and performance by the Brazilian trombone quartet called Trombominas, according to three axes: musical performance, phenomenology and musical memory as a cognitive function. The group's procedures are described within the perspective of the phenomenological referential, departing from interviews with the members of the group and their subjective impressions. It aims at explaining how memory can act as a key in the construction of musical meaning for the subjects of the performances.
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rocha2010permemria:
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| Authors | ;Sérgio de Figueiredo Rocha |
| Journal | per musi |
| Year | 2010 |
| DOI |
10.1590/S1517-75992010000100012
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