tworki of marek bieńczyk as a genre story

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ID: 133294
2012
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Abstract
The article’s author analyses Marek Bieńczyk’s novel Tworki (1999), using tools from genre theory and challenging the prevailing view of Bieńczyk as a postmodernist, the pantextualism of his literature, and his adherence to “non-epic prose.” Bieńczyk’s novel is contextualized as a drawnout story (gawęda), mystery story, bildundsroman. It is shown how Bieńczyk uses established genres to assemble the elements of a narrative universe (the narrator, protagonist, intrigue), and the way he handles the epic aspects of his literature. Particular emphasis is placed on an analysis of the vaudeville-cabaret layers of the novel, everything borrowed from popular culture and used to re-narrate the trauma of the Holocaust. In this respect, Bieńczyk’s novel is considered to be one of the bravest works in Polish post-1989 literature.
Reference Key
marecki2012przestrzenietworki Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Piotr Marecki
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Journal journal of management history
Year 2012
DOI
10.14746/pt.2012.18.7
URL
http://pressto.amu.edu.pl/index.php/pt/article/view/3396
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