imagem-performada e imagem-atestação: o documentário brasileiro e a reemergência dos espectros da ditadura

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ID: 130210
2014
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Abstract
The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.
Reference Key
martins2014galxiaimagem-performada Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Andrea França Martins;Patricia Machado
Journal sudanese journal of paediatrics
Year 2014
DOI
10.1590/1982-25542014216497
URL
http://revistas.pucsp.br/index.php/galaxia/article/view/16497/16723
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