Culturalism and the "New" Poetry. A Poem by Pedro Gimferrer: "Cascabeles" from Arde el mar (1966)

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ID: 105640
1992
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Abstract
The study deals with the group of Spanish poets commonly called the "novisimos" or "promocion de 1970," using as a base a poem by Pedro Gimferrer published in 1966. It studies the aesthetic break-through achieved by this generation, highlighting the concept of "culturalism" that critics used to define it twenty years ago. It examines the equivocal uses to which this concept can be put, and describes its correct meaning in the light of the aesthetic to which it refers. It then studies the mechanisms implicit in the writing of this non-confessional lyric poetry, centering it on two complementary procedures: the use of a historical persona that serves as an analogue ("personaje historico analogico"), and that of another work of art that functions as an objectifying device ("obra de arte ajena objetivadora"). It considers these in the light of two perspectives: the overcoming of neo-romantic rhetoric, and the participation of the reader.
Reference Key
carnero1992culturalismstudies Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Carnero, Guillermo ;
Journal studies in 20th & 21st century literature
Year 1992
DOI
DOI not found
URL
http://newprairiepress.org/sttcl/vol16/iss1/6
Keywords
history of scholarship and learning. the humanities social sciences (general) philology. linguistics language and literature communities. classes. races fine arts arts in general english literature french literature - italian literature - spanish literature - portuguese literature american literature german literature history of the arts

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