«Io ho bisogno di animali teatrali»

Clicks: 265
ID: 105636
2018
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Abstract
«It is not enough that they sing well [...]. I need theatrical animals». So, Giorgio Strehler, in 1997, gave indications to the musicologist Carlo de Incontrera for the distribution of Così fan tutte, a production that in his own mind should have marked the crossing of the boundaries between straight and opera theater, by creating in the new headquarters of the Piccolo Teatro the «lyric theater of art» he had been pursuing for a large part of his career. Although Strehler dies after only eleven days of rehearsal, the production is crucial for rethinking the relationship between the director and the opera theatre: at the very end of his career, Strehler is finally inspired by the models of the German Regietheater and in particular by Felsenstein’s work, which he aims to adapt in “his” Piccolo Teatro. The research develops from the rich and unpublished private correspondence between Strehler and Carlo de Incontrera, courtesy of the musicologist.
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paoletti2018iomimesis Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Paoletti, Matteo;
Journal mimesis journal
Year 2018
DOI
DOI not found
URL
http://journals.openedition.org/mimesis/1471
Keywords
history of scholarship and learning. the humanities social sciences (general) philology. linguistics language and literature fine arts arts in general english literature american literature history of the arts

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