From the Atlantic to the Pacific: Maruja Mallo in Exile

Clicks: 318
ID: 103367
2006
Article Quality & Performance Metrics
Overall Quality
Not rated
Combines reader engagement with the AI quality analysis. This article has not been analysed, so there is no overall score — reader engagement is measured and shown alongside.
AI Quality Assessment
Not analyzed
Readership in this journal
Steady

Ranked #2 of 3 articles by views in studies in 20th & 21st century literature

Most read Least read

Bar heights use a square-root scale.

Mint this article as an NFT
Not yet minted

Create a permanent, verifiable on-chain record of this article on the Scimatic Network. The NFT is held in your Journament account, and you can withdraw it to your own wallet at any time.

5 SUSD one-off · no wallet required
Abstract
Maruja Mallo's life (1902-1995) and art represent one woman's odyssey from the European vanguards to political commitment during the Spanish Republic (1931-1939) and finally to a unique transcendent art form after her wrenching exile from Spain and her residence in Latin America from 1937 to 1965. In her early career she was a leader among the avant-garde painters when few Spanish women were recognized as creative artists. In Latin America, her work diverged radically from European avant-garde trends and from her ideologically oriented subject matter of the 1930s; Mallo not only reflects the impact of her discovery of the Pacific Ocean and her newfound "zest for life," but also clearly defines a new language that celebrates the female body and female sexuality. This essay traces Mallo's personal and artistic journey from Spain to Latin America and back.
Reference Key
mangini2006fromstudies Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors Mangini, Shirley ;
Journal studies in 20th & 21st century literature
Year 2006
DOI
DOI not found
URL
Keywords

Citations

No citations found. To add a citation, contact the admin at info@scimatic.org

No comments yet. Be the first to comment on this article.