la materialidad de la memoria en las cartas que no llegaron de mauricio rosencof (uruguay, 1930-2000).

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ID: 241805
2010
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Abstract
This article examines the way that Uruguayan author Mauricio Rosencof reconstructs family genealogy and self identity in Las cartas que no llegaron. The materiality of memory has an impor­tant place in the novel: the superimposed stories take shape through spaces and objects tied to the protagonist's childhood and the family history. The author employs a double entendre in which referential immediacy is combined with complex, fictionalizing strategies. The latter, corresponding to the three most important elements regarding memory in the novel, are analyzed separately: the family album, the cards, and the word.
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forn.2010historiala Use this key to autocite in the manuscript while using SciMatic Manuscript Manager or Thesis Manager
Authors ;Anna Forné.
Journal bulletin of the london mathematical society
Year 2010
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