The Disappearance of Canada: Margaret Atwood’s Transnational Turn and Ustopianism
Clicks: 296
ID: 16329
2013
This essay examines how Margaret Atwood’s recent dystopias Oryx and Crake and The Year of the Flood reflect a transnational turn in her fiction, which is a significant development both in light of her early work and her public image as a Canadian cultural nationalist.
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Original in English
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braz2013thegragoata
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| Authors | Braz, Albert; |
| Journal | gragoatá |
| Year | 2013 |
| DOI | DOI not found |
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| Keywords | Keywords not found |
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